不出卖灵魂是什么意思

篇一:《不要放弃本性 不要出卖灵魂》

不要放弃本性 不要出卖灵魂

又到一年毕业季，你准备好踏入社会的大门了吗？你设想过自己将要成为什么样的人吗？当人们向惠普公司前CEO卡莉·费奥瑞娜询问职业生涯的意见时，她常常告诉大家，不要放弃你的内在本性，千万不要出卖你的灵魂，因为没有人能够支付得起。

My fellow job seekers: I am honored to be among the first to congratulate you on completing your years at North Carolina A&T. But all of you should know: as Mother's Day gifts go, this one is going to be tough to beat in the years ahead.

The purpose of a commencement speaker is to dispense wisdom. But the older I get, the more I realize that the most important wisdom I've learned in life has come from my mother and my father. Before we go any further, let's hear it one more time for your mothers and mother figures, fathers and father figures, family, and friends in the audience today.

When I first received the invitation to speak here, I was the CEO of an $80 billion Fortune 11 company with 145,000 employees in 178 countries around the world. I held that job for nearly six years. It was also a company that hired its fair share of graduates from North Carolina A&T. You could always tell who they were. For some reason, they were the ones that had stickers on their desks that read, "Beat the Eagles."

But as you may have heard, I don't have that job anymore. After the news of my departure broke, I called the school, and asked: do you still want me to come and be your commencement speaker?

Chancellor Renick put my fears to rest. He said, "Carly, if anything, you probably have more in common with these students now than you did before." And he's right. After all, I've been working on my resume. I've been lining up my references. I bought a new interview suit. If there are any recruiters here, I'll be free around 11.

I want to thank you for having me anyway. This is the first public appearance I've made since I left HP. I wanted very much to be here because this school has always been set apart by something that I've believed very deeply; something that takes me back to the earliest memories I have in life.

One day at church, my mother gave me a small coaster with a saying on it. During my entire childhood, I kept this saying in front of me on a small desk in my room. In fact, I can still show you that coaster today. It says:

"What you are is God's gift to you. What you make of yourself is your gift to God."

Those words have had a huge impact on me to this day. What this school and I believe in very deeply is that when we think about our lives, we shouldn't be limited by other people's stereotypes or bigotry. Instead, we should be motivated by our own sense of possibility. We should be motivated by our own sense of accomplishment. We should be motivated by what we believe we can become. Jesse Jackson has taught us; Ronald McNair taught us; the Greensboro Four taught us; that the people who focus on possibilities achieve much more in life than people who focus on limitations.

The question for all of you today is: how will you define what you make of yourself?

To me, what you make of yourself is actually two questions. There's the "you" that people see on the outside. And that's how most people will judge you, because it's all they can see what you become in life, whether you were made President of this, or CEO of that, the visible you.

But then, there's the invisible you, the "you" on the inside. That's the person that only you and God can see. For 25 years, when people have asked me for career advice, what I always tell them is don't give up what you have inside. Never sell your soul. Because no one can ever pay you back. What I mean by not selling your soul is don't be someone you're not, don't be less than you are, don't give up what you believe, because whatever the consequences that may seem scary or bad -- whatever the consequences of staying true to yourself are -- they are much better than the consequences of selling your soul.

You have been tested mightily in your life to get to this moment. And all of you know much better than I do: from the moment you leave this campus, you will be tested. You will be tested because you won't fit some people's pre-conceived notions or stereotypes of what you're supposed to be, of who you're supposed to be. People will have stereotypes of what you can or can't do, of what you will or won't do, of what you should or shouldn't do. But they only have power over you if you let them have power over you. They can only have control if you let them have control, if you give up what's inside.

I speak from experience. I've been there. I've been there, in admittedly vastly different ways -- and in many ways, in the fears in my heart, exactly the same places. The truth is I've struggled to have that sense of control since the day I left college.

I was afraid the day I graduated from college. I was afraid of what people would think. Afraid I couldn't measure up. I was afraid of making the wrong choices. I was afraid of disappointing the people who had worked so hard to send me to college.

I had graduated with a degree in medieval history and philosophy. If you had a job that required knowledge of Copernicus or 12th Century European monks, I was your person. But that job market wasn't very strong.

So, I was planning to go to law school, not because it was a lifelong dream. Because I thought it was expected of me. Because I realized that I could never be the artist my mother was, so I would try to be the lawyer my father was. So, I went off to law school. For the first three months, I barely slept. I had a blinding headache every day. And I can tell you exactly which shower tile I was looking at in my parent's bathroom on a trip home when it hit me like a lightning bolt. This is my life. I can do what I want. I have control. I walked downstairs and said, "I quit."

I will give my parents credit in some ways. That was 1976. They could have said, "Oh well, you can get married." Instead, they said, "We're worried that you'll never amount to anything." It took me a while to prove them wrong. My first job was working for a brokerage firm. I had a title. It was not "VP." It was "receptionist." I answered phones, I typed, I filed. I did that for a year. And then, I went and lived in Italy, teaching English to Italian businessmen and their families. I discovered that I liked business. I liked the pragmatism of it; the pace of it. Even though it hadn't been my goal, I became a businessperson.

I like big challenges, and the career path I chose for myself at the beginning was in one of the most male-dominated professions in America. I went to work for AT&T. It didn't take me long to realize that there were many people there who didn't have my best interests at heart.

I began my career as a first level sales person within AT&T's long lines department. Now, "long lines" is what we used to call the long distance business, but I used to refer to the management team at AT&T as the "42 longs" which was their suit size, and all those suits and faces looked the same.

I'll never forget the first time my boss at the time introduced me to a client. With a straight face, he said "this is Carly Fiorina, our token bimbo." I laughed, I did my best to dazzle the client, and then I went to the boss when the meeting was over and said, "You will never do that to me again."

In those early days, I was put in a program at the time called the Management Development Program. It was sort of an accelerated up-or-out program, and I was thrown into the middle of a group of all male sales managers who had been there quite a long time, and they thought it was their job to show me a thing or two. A client was coming to town and we had decided that we were getting together for lunch to introduce me to this customer who was important to one of my accounts.

Now the day before this meeting was to occur, one of my male colleagues came to me and said, "You know, Carly, I'm really sorry. I know we've had this planned for a long time, but this customer has a favorite restaurant here in Washington, D.C., and they really want to go to that restaurant, and we need to do what the customer wants, and so I don't think you'll be able to join us."

篇二:《不要放弃本性 不要出卖灵魂》

不要放弃本性 不要出卖灵魂

又到一年毕业季，你准备好踏入社会的大门了吗？你设想过自己将要成为什么样的人吗？当人们向惠普公司前CEO卡莉·费奥瑞娜询问职业生涯的意见时，她常常告诉大家，不要放弃你的内在本性，千万不要出卖你的灵魂，因为没有人能够支付得起。

My fellow job seekers: I am honored to be among the first to congratulate you on completing your years at North Carolina A&T. But all of you should know: as Mother's Day gifts go, this one is going to be tough to beat in the years ahead.

The purpose of a commencement speaker is to dispense wisdom. But the older I get, the more I realize that the most important wisdom I've learned in life has come from my mother and my father. Before we go any further, let's hear it one more time for your mothers and mother figures, fathers and father figures, family, and friends in the audience today.

When I first received the invitation to speak here, I was the CEO of an $80 billion Fortune 11 company with 145,000 employees in 178 countries around the world. I held that job for nearly six years. It was also a company that hired its fair share of graduates from North Carolina A&T. You could always tell who they were. For some reason, they were the ones that had stickers on their desks that read, "Beat the Eagles."

But as you may have heard, I don't have that job anymore. After the news of my departure broke, I called the school, and asked: do you still want me to come and be your commencement speaker?

Chancellor Renick put my fears to rest. He said, "Carly, if anything, you probably have more in common with these students now than you did before." And he's right. After all, I've been working on my resume. I've been lining up my references. I bought a new interview suit. If there are any recruiters here, I'll be free around 11.

I want to thank you for having me anyway. This is the first public appearance I've made since I left HP. I wanted very much to be here because this school has always been set apart by something that I've believed very deeply; something that takes me back to the earliest memories I have in life.

One day at church, my mother gave me a small coaster with a saying on it. During my entire childhood, I kept this saying in front of me on a small desk in my room. In fact, I can still show you that coaster today. It says:

"What you are is God's gift to you. What you make of yourself is your gift to God."

Those words have had a huge impact on me to this day. What this school and I believe in very deeply is that when we think about our lives, we shouldn't be limited by other people's stereotypes or bigotry. Instead, we should be motivated by our own sense of possibility. We should be motivated by our own sense of accomplishment. We should be motivated by what we believe we can become. Jesse Jackson has taught us; Ronald McNair taught us; the Greensboro Four taught us; that the people who focus on possibilities achieve much more in life than people who focus on limitations.

The question for all of you today is: how will you define what you make of yourself?

To me, what you make of yourself is actually two questions. There's the "you" that people see on the outside. And that's how most people will judge you, because it's all they can see what you become in life, whether you were made President of this, or CEO of that, the visible you.

But then, there's the invisible you, the "you" on the inside. That's the person that only you and God can see. For 25 years, when people have asked me for career advice, what I always tell them is don't give up what you have inside. Never sell your soul. Because no one can ever pay you back. What I mean by not selling your soul is don't be someone you're not, don't be less than you are, don't give up what you believe, because whatever the consequences that may seem scary or bad -- whatever the consequences of staying true to yourself are -- they are much better than the consequences of selling your soul.

You have been tested mightily in your life to get to this moment. And all of you know much better than I do: from the moment you leave this campus, you will be tested. You will be tested because you won't fit some people's pre-conceived notions or stereotypes of what you're supposed to be, of who you're supposed to be. People will have stereotypes of what you can or can't do, of what you will or won't do, of what you should or shouldn't do. But they only have power over you if you let them have power over you. They can only have control if you let them have control, if you give up what's inside.

I speak from experience. I've been there. I've been there, in admittedly vastly different ways -- and in many ways, in the fears in my heart, exactly the same places. The truth is I've struggled to have that sense of control since the day I left college.

I was afraid the day I graduated from college. I was afraid of what people would think. Afraid I couldn't measure up. I was afraid of making the wrong choices. I was afraid of disappointing the people who had worked so hard to send me to college.

I had graduated with a degree in medieval history and philosophy. If you had a job that required knowledge of Copernicus or 12th Century European monks, I was your person. But that job market wasn't very strong.

So, I was planning to go to law school, not because it was a lifelong dream. Because I thought it was expected of me. Because I realized that I could never be the artist my mother was, so I would try to be the lawyer my father was. So, I went off to law school. For the first three months, I barely slept. I had a blinding headache every day. And I can tell you exactly which shower tile I was looking at in my parent's bathroom on a trip home when it hit me like a lightning bolt. This is my life. I can do what I want. I have control. I walked downstairs and said, "I quit."

I will give my parents credit in some ways. That was 1976. They could have said, "Oh well, you can get married." Instead, they said, "We're worried that you'll never amount to anything." It took me a while to prove them wrong. My first job was working for a brokerage firm. I had a title. It was not "VP." It was "receptionist." I answered phones, I typed, I filed. I did that for a year. And then, I went and lived in Italy, teaching English to Italian businessmen and their families. I discovered that I liked business. I liked the pragmatism of it; the pace of it. Even though it hadn't been my goal, I became a businessperson.

I like big challenges, and the career path I chose for myself at the beginning was in one of the most male-dominated professions in America. I went to work for AT&T. It didn't take me long to realize that there were many people there who didn't have my best interests at heart.

I began my career as a first level sales person within AT&T's long lines department. Now, "long lines" is what we used to call the long distance business, but I used to refer to the management team at AT&T as the "42 longs" which was their suit size, and all those suits and faces looked the same.

I'll never forget the first time my boss at the time introduced me to a client. With a straight face, he said "this is Carly Fiorina, our token bimbo." I laughed, I did my best to dazzle the client, and then I went to the boss when the meeting was over and said, "You will never do that to me again."不出卖灵魂是什么意思。

In those early days, I was put in a program at the time called the Management Development Program. It was sort of an accelerated up-or-out program, and I was thrown into the middle of a group of all male sales managers who had been there quite a long time, and they thought it was their job to show me a thing or two. A client was coming to town and we had decided that we were getting together for lunch to introduce me to this customer who was important to one of my accounts.

Now the day before this meeting was to occur, one of my male colleagues came to me and said, "You know, Carly, I'm really sorry. I know we've had this planned for a long time, but this customer has a favorite restaurant here in Washington, D.C., and they really want to go to that restaurant, and we need to do what the customer wants, and so I don't think you'll be able to join us."

篇三:《材料作文》

据此词原序所说，这首《菩萨蛮》当是戏拟王安石集句诗之作。

开首二句以极自然轻盈的笔法描绘了一幅闲适悠雅的溪桥野渔图。一片氤氲迷蒙的山岚水雾中，是烟是雨，叫人难以分辨，真是空翠湿人衣。溪边桥畔，有渔翁正醉酒酣睡，四周阒无声息，没有人来惊破他的好梦。“疏懒意何长，春风花草香”，化用杜甫“无人觉来往，疏懒意何长”（《西郊》）和“迟日江山丽，春风花草香”（《绝句二首》）这句诗。两句诗不仅从字面看放这里十分熨贴，而且从原作的意境看，也与这首词情相合，更重要的是通过这诗句的媒介，将读者导向了杜甫的诗境，这些诗境又反过来丰富了这首词本身的意蕴。这样便活画出整个风光明媚生机勃勃的春世界。

“江山如有待”为作者移用的杜甫《后游》中的诗句，作者向往大自然的美好，却推开自己不说，而从对面着笔，将自己热烈的感情移植到无生命的江山自然上，通过拟人化的描写，表现“我见青山多妩媚，料青山见我应如是”那种人与自然交流相亲、物我不分的情感意绪。这样，词上下片意境相应，只将前面“疏懒意何长，春风花草香”词意发展为对自然生活的向往与追求。作者自然地想到了开隐逸风气的陶潜，遂又随手拈来了杜甫的另一句诗“此意陶潜解”（《可惜》），将自己对山川自然的企慕之意，又落实到对这位抛弃荣利的田园先哲的景仰上，从而挑出了全词隐逸的主题。

杜甫感叹生不逢时，恨不能词的最后二句“问我去何之，君行到自知”，接住杜甫“此意陶潜解，吾生后汝期”（杜甫《可惜》）诗意，表明自己的态度，他不学杜甫的感慨而是步先哲的后尘。作者决心归隐，但到底去何方，却无可告，不过如随之而去，一定会明白他的踪迹。这一结语将上面贯串下来的情志意趣，结束得非常工稳，飘逸而含蓄。

这首词全靠直接剥录他人诗句而成，虽非作词之正道，却也颇有移花接木之妙。

材料作文“唤醒自己”及范文

材料：

每年都有不少人到南美洲的原始森林探险，带路向导都是当地部落的土著人。土著人十分机敏和风趣，他们有一个十分奇怪的习惯，每走一段路就要唤一声自己的名字。土著人说这是为防止自己的灵魂跟不上自己的躯体，他们得唤回自己。

有位哲学家说，每个人都是自己命运的建筑师，只有不断唤醒自己，才能使自己的生命攀上高峰。 请根据你对以上材料的理解与体会，写一篇不少于800字的文章，文题自拟，不得抄袭。

这是提供材料的作文题。审题时，考生需要从两则材料中确立一个恰当的话题，将材料作文转化成话题作文。两则材料构成类比，唤回自己(或唤醒自己)便是我们不可忽略的话题。接下去就要思考“唤回(唤醒)”和“自己”的含义。 “唤回(醒)”必须是对迷失(沉迷)者而言的；“自己”是反身代词，不一定是“我”、“我们”，也可是“你”、“你们”、“他”、“他们”。要写好这篇作文，必须要思考以下几个要素：谁、如何迷失、如何唤回(醒)、自己的什么，唤回(醒)的意义。

思路的打开，角度的新颖，则在于对“谁”和“自己的什么”两个要素的思考。从材料中看，土著人唤回自己的灵魂，哲学家认为每个人都应该唤醒自己人生目标。推而广之，或实或虚，考生可以想到：我们(我、你、你们、他、他们)唤回自己的本真、自尊、爱心、责任、善良、良知、科学精神、民族魂等。

一、审材料

1、“每走一段路就要唤一声自己的名字。土著人说这是为防止自己的灵魂跟不上自己的躯体，他们得唤回自己。”

2、“有位哲学家说，每个人都是自己命运的建筑师，只有不断唤醒自己，才能使自己的生命攀上高峰。” 问题一：这两段文字的关键词是什么？（①唤回自己 ②唤醒自己）

问题二：“唤回自己”、“唤醒自己”的理由是什么？（①“防止自己的灵魂跟不上自己的躯体”，防止灵魂出窍、灵肉分离。但灵肉分离为什么让人担心呢？因为灵魂才是自我，失了灵魂就是失了自我。②“只有不断唤醒自己，才能使自己的生命攀上高峰。”这里说的是自我在，主人就在，主人翁意识就在，就不会被异己力量控制，不会成为奴隶，才有可能把握自己的命运，才有可能通过自己的努力、奋斗，去实现自我，铸造自我，创造人生的辉煌，攀上人生的顶峰。这里有一个深藏的人生哲理，所谓人生的成功就是实现自己。）

问题三：为什么“每走一段路就要唤一声自己的名字”？为什么要“不断”唤醒自己？（这里暗示灵魂极易迷失，极易丢失，极易昏睡，极易麻醉，极易沉溺。）

问题四：森林意象有什么象征含义？森林是巨大的黑暗，是神秘而恐怖的，是庞大的异己力量的象征。

二、联想与思考

1、材料的针对性。人在生活中总是容易丢了魂魄，忘了自己，从而导致失败的人生。生活中有三种异己力不出卖灵魂是什么意思。

量在不断袭击人心，一是压迫力量（如邪恶势力），一是诱惑力量（如浮名、金钱、权力、享乐），一是腐蚀力量（如琐屑、单调的日常生活，平庸）。这些力量使人不断被扭曲，被异化，渐渐忘记本真，泯灭良知，亵渎真情，解构神圣，调侃尊严，放逐自由，践踏美善，我们逐渐丧失人性中优雅的部分，从而不知不觉丢失灵魂，以致有一天自己陌生到自己都不认识的地步。套用苏东坡的一句话就是“纵使相逢应不识，尘满面，鬓如霜”。不出卖灵魂是什么意思。

我们生活在一个物质主义肆意横行的时代，我们生活在一个诸神退场的时代，我们生活在一个到处充斥竞争的时代。物质主义让欲望成了真理；诸神退场让人类精神迷茫，备感孤独；竞争恶化了人际关系。我们在这样的氛围中生活，日渐忘记生活目的，忘记生命的意义，忘记志向与梦想，忘记自己曾经是纯洁的赤子。我们可能被生活的激流磨去棱角，磨掉个性。古人说：在山为泉，出山为浊。如果说人生之初，我们光洁的额头还映现着上帝的光辉，那么人生暮年，我们是否还能保持一颗赤子之心？

2、深入思考。什么叫做唤醒自己？儒家提倡反省，每日参省吾身。佛教说，时时勤拂拭，何处惹尘埃？西方人讲究忏悔，救赎灵魂。如果用文学方式来表达，屈原早在两千多年就表达过他不愿“以察察之身，受物之汶汶”的意志，他的《招魂》诗篇，仿佛杜鹃声声，呼唤“魂兮归来”！德国的歌德在《浮士德》中讲到一个拿灵魂与魔鬼做交易的故事，从反面提醒人们不要出卖灵魂。卡夫卡的《变形记》为什么那么震撼现代人的心灵？就是因为它把人的异化真切地再现在人的面前。博尔赫斯有一首诗这样写道：“我不知道，我在望着镜子里的脸时 回望我的是一张什么脸 我不知道，是什么衰老的脸 在沉默和疲劳的怨恨中寻找自己的形象 我在两眼漆黑里慢慢悠悠地 用手摸索着我的看不见的痕迹 一阵闪光来到我的眼前，我看见了 你的头发，灰白的或者仍然是金黄 我反复地对自己说，我失去的仅仅是 事物毫无意义的外表 这句话来自弥尔顿，那么高尚 然而，我依然恋着文字，想着玫瑰 我也想着，如果我能看得见我的脸 我就知道，在这个难得的傍晚，我是谁？ ” “我是谁？”这就是博尔赫斯对自己的悄声暗问，是万籁俱寂时的自言自语，他所害怕的也许不仅是岁月的流逝，更是对自己的低声呼唤。

《忏悔录》为何忏悔，《麦田的守望者》在守望什么？人类那一部部经典之作，哪一部不是在抚摸灵魂？哪一部不是在守护灵魂？

三、写作建议示例

题目：“唤醒灵魂”

（一）可以就“人为什么需要灵魂”写一篇文章，其内容如下：

①灵魂就是自我，失了灵魂就是失了自我；②灵魂是人性中优雅的部分，是人之为人的根本，是人的高贵之所在；

③有了灵魂，人才是自己的主人，才可以创造有意义的人生。

（二）可以就“人容易丢失灵魂，所以需要时时唤醒灵魂”写一篇文章，其内容如下：

①人生诱惑正多，灵魂容易迷失；

②人生艰危险恶，灵魂容易出卖；

③人生平凡漫长，灵魂容易销蚀。

（三）可以就“如何唤醒灵魂”写一篇文章，其内容如下：

①岂可昏昏噩噩，我当参省我身，唤醒灵魂；

②哪有人生无过，我必勇于忏悔，唤醒灵魂；③怎能同流合污，我自挺拔守望，唤醒灵魂。

四、范文

呼唤自我

停下来唤回自己，别让灵魂隐没在步履匆匆荡起的尘埃中；停下来唤醒自己，别让躯体昏昏沉沉随波逐流。 时常地呼唤自我，唤回自我，才不会被平庸与时代所裹挟，或者说，听一听内心深处自我的呼唤，才不会丢掉自我——那独一无二的灵魂。黑塞说：“永恒的母亲只生我一次，我的使命是赋予这永恒以显著的一次性形态，并在这形态中显出永恒。”自我，是我们仅此一次的生命中唯一能把你和他人区分开来的东西，自我中所包含的精神意志信仰追求是唯一的，是生命最显著的形态。只有它，能赋予生命以永恒。叶芝说：“我要起身走了，因为从早到晚从夜到朝，我都听见它在我内心呼唤。”他去了茵尼斯弗利岛，那里有几近可以滴落的宁静，有自我的栖息之地，那一方净土，给了他实现永恒自我的空间。

时常地呼唤自我，唤醒自我，才永远有希望，永远要前进。已经达到的目的，都不是终点，每一次休憩都产生新的渴望。只有如此，才能使生命攀上最高峰，俯仰之间，自有其雄奇高妙。就如同寻找香格里拉的旅者，渴慕着飘渺的蓝月山谷；或是攀登乞力马扎罗山的朝圣者，历经艰险只为触碰到那最纯净的雪。在人生的旅途中，或因太安逸，或因太疲惫，很多人会慢慢合上眼睛，放松身体，把方向交给人流，漫无目的地向前走，但这样的

人生有什么意义呢？眼前一片混沌，看不到沿途的风景；耳边人声喧哗，成为被声音堵住耳朵的聋子。适时地唤醒自己，把身体交给灵魂，用手掌握自己的命运，即使有困乏痛苦，仍可充满雄心与力量来实现自我，就像与海搏斗了数日的老人，梦回雄狮，其灵魂依然强大。被唤醒了的自我，能产生无比的渴望与力量以成就更显著的自我。

呼唤自我，成就显著的自我，不是凸显个性。或许，是时代的力量过于强大，自我作为个体在今日已很难凸显，很多人开始在外在上做文章，穿奇形怪状的非主流装，说莫名其妙的火星文„„不，这不是彰显自我，这是哗众取宠，自我基于内心，就像从不参加麦卡锡运动的尤瑟纳尔，即使她永远穿着中世纪的长裙，别人也知道她的思想必定是自由先进的。不出卖灵魂是什么意思。

及时的呼唤自我，不要迷失，不要停滞，让自己从人群中凸现出来，活出一个显著的独一无二的人生!

唤醒自己

我们每日都会醒来，然而伴随着双眼睁开躯体苏醒，我们的灵魂，内心深处的自己却沉沉地睡着，覆盖着时代的迷惘空虚的被子。

有很多时候，是我们自己选择了沉睡，是我们向生活妥协了。我们抑制住心底最原始的渴念，为了生存而不是生活，我们做着自己并不喜欢的事。就像因为害怕在停车场找不到位置，我们便把车停在二十公里远的地方。一切都是为了保险，一切都以生存得更好为最高准则。

哈佛的女校长对她的学生说，首先应该听从你们自己的意愿，做自己喜欢的事。

唤醒自己，听从自己的意愿，其实是极艰难的事情，因为那意味着心灵的绝对自由。有几个人敢像塞尚一样追求自己的艺术？那只会使衣食没有担保。有几个人敢像维特根斯坦那样拒绝巨额遗产？我们扼杀自己的意愿不就是为了富足的生存吗，又怎么会拒绝呢？普通如我们，并没有那么巨大的勇气和精神彻底断绝俗世的羁绊，我们内心的自己也并没有期盼着那些恢弘的事业，我们只是希望在生存的同时，偶尔也感受到生活，偶尔也让沉睡已久的自己苏醒一下。

对于普通的人，唤醒自己也是有办法的，我们不需要绝对的自由，偶尔的间歇式的自由已足够了。在我看来，瞭望远方是最好不过的方式。在瞭望中，我们暂时地忘却了自己的身份，而忆起了自己到底是一个怎样的自己，那个沉睡的自我便因此而苏醒了。这个过程是不在乎你是否脱离了世俗的羁绊，而在于，心境的更替。同样的地方，当我们用真正属于自己的眼光，用看待生活的眼光去看待它，我们所获得的意义是不同的。唤醒自己，让我们从不再新鲜的事物中发出新的思考。瞭望远方，亲近远方送来的清风，我们不是走向目的地，而是走着那条唤醒自己的路，走向自己。

现实的生活需要我们的躯体加快步伐向前走，但不要忘记经常停一停，呼唤我们自己的名字，这间歇的自由和自我的回归，让生存不再只是生存，而是有感情有意义的生活。

别让灵魂跟不上

《在云端》中说：“我们走得太快，灵魂都跟不上了。”

人的灵魂，究竟是一种怎样的存在？我想，灵魂像一座沉甸甸的铁塔，安静地坐在我们的心里，它是一种智慧，一种气韵，一种觉悟。灵魂与我们是最好的朋友，虽然灵魂是缄默的，但我们需要它与我们相伴。 但是，从什么时候开始灵魂跟不上我们的步伐了呢？

因为脱离了那一个厚重的内里，我们似乎脱离了重负，因而健步如飞，毫不客气地扩充自己的领地。因为放开了紧握灵魂的手，我们可以做到步履如风，睥睨万物。然而，有一天你蓦然回首，你的灵魂已被你抛开得太远。你所得的，没有灵魂为你诠释，终会化为流沙；你所想的，没有灵魂为你深思，你的思想也只是一个风箱，吹鼓起来只会更加空洞。正如我们唱了一路的歌，却发现这首歌无词，无曲，一阕《忐忑》，不正是中心空空的画像么？

走失了自己的灵魂是极可怕的，这会让我们失去道德，泯灭良心。在这个浪费是最大美德的社会，有多少人追逐权力，追求金钱，他们拜金，拜权，将道德钉在了十字架上。灵魂和良心早就被他们甩手抛到了荒凉之地，孤寂地呼吸哭泣。那个脱离了灵魂的肉身，已失去了自我，彷徨在物欲横流中，最终也只是一抔黄土。 为了唤醒自己，请放慢你的脚步，别让你的灵魂跟不上。

卡夫卡说：“一只笼子在等待它的鸟。”我们也应扬臂等待那个沉默的、缓慢的灵魂，它需要足够的时间呼吸当前的空气，而不是盲目往前冲。长亭外，古道边，多少伟人与灵魂携行，留下了一行迤逦的文明足迹。史铁生与缄默的灵魂对话，所以他命定寂寞，却从灵魂中俘虏了虚无，写下饱满丰沛的文字。Rene Char与灵魂一同步入自然，他可以看见植物静静的开合，为世界写下了弛缓、轻松、淡淡苦味的怀乡之歌。有了灵魂，我们才会有岩石的内省，也有海水的自由，每走一步，都是一个响亮的吻。要么慢下来，要么停下来，别让灵魂跟不

上。否则你只是低俗附庸的物，而不是高贵深沉的人。

别让灵魂跟不上，与灵魂一起，斟酌冷暖，不妄为，不沉沦，理解世界的宽泛和丰富，谱写人生的锦绣与辉煌。

呼唤民族的精魂

呵！别走太快，灵魂跟不上了！

土著人每段路程的呼唤，是在唤回自己，为了让灵魂紧跟躯体的脚步。要想把握命运，人需不断唤醒自己，对于一个国家与民族，更应如此。不要让灵魂走丢！

对于一个国家和民族而言，灵魂就是文化，是民族的精神王国，而躯体，则是经济、政治所构成的物质基础。国家需要强壮的躯体，更要有强大的灵魂。空有俊俏的皮囊，如同行尸走肉。国家在物质主义的掩盖下必然导致拜金主义、虚无主义盛行，造成国民素质的整体低下。有灵魂的躯体，才能称之为完美的躯体，有文化的国家，才是强大的国家。

时代高速发展，快餐文化填满了人们物欲纵横的胃口，当传统的经典文学让位于肤浅的网络文学，这不得不说是一个民族的悲哀，时代的悲剧！

我们需要呼唤民族的精魂，一个支撑我们走过五千载春秋的古老灵魂。有人曾说，改革开放三十年，我们用三十年走完了别人的二百年才完成的工业时代，经济发展得太快了，以致于民族的灵魂跟不上这奔驰的步伐。该是时候了。该是唤醒我们民族那沉睡的灵魂的时候了，唤醒这条沉睡多年的东方巨龙。经济的腾飞，人们高呼盛世，一个民族迷失了方向，沉浸在灯红酒绿的繁华喧嚣之中，乐不思蜀。灵魂的遗忘，国家注定会偏离正常的发展轨道。真正的盛世，理应是灵魂与躯体的同步，甚至能超越躯体的步伐，走在时代的最前端。

因为歌德的存在，破碎的德国就不是一贫如洗、孤苦伶仃的。在东方，尽管当年战火纷飞，几乎国破家亡，但正因为我们有“民国那些人”，有他们生死护中华，有他们护住民族精魂一缕，我们才没有被倭寇蚕食鲸吞。从某种意义上说，是李白、杜甫、曹雪芹这些人陪着我们这个民族度过那些艰难的岁月，让我们中华民族屹立于世界民族之林。

和平的年代，更应居安思危，常常呼唤民族的精魂。只有呼醒民族的灵魂，我们才能躲避潜伏已久、蠢蠢欲动的盛世危机。有了民族精魂的保驾护佑，我们的复兴之航才能劈波斩浪，驶向蔚蓝的远方。

唤醒自己

人睁开眼睛，如蝴蝶扇翅，但他永远不能保证自己不瞌睡。不断唤醒自己，才能在森林里不停滞，不迷失。 土著人唤一声自己的名字，是为防止自己的灵魂跟不上躯体。唤醒自己，是为了使灵魂不停滞、不懈怠，永远鲜活。身体可以通过食物的摄入而保持鲜活，灵魂却常常因为没有涵养而失了生气。现代人乘上高铁，飞驰在美丽的速度中，却忘记激活自己的内在宇宙。又或是在挫折中让自己麻木向前，忘记了心灵的坚守。

我们需要唤醒自己。苏轼被贬，仍吟“与谁同在？明月、清风和我”。山水同清，日月同明，他永远不会忘记那个“我”与灵魂的鲜活，它用天地精神唤醒自己，不让自己的灵魂就此萎顿或沉沦。追慕先贤，每一天我们睁开眼睛，需要拨开陈旧沉重的瓦砾，让温暖的心灵种子鲜活起来。

唤醒自己，更是为了让灵魂不迷失。原始森林里一个充满热气的呼吸，仿佛就能将你吞入，碾碎。灵魂呢？已在诱惑中酣酒放歌。太多的诱惑，太少坚定的自我。时间、欲望、尘世慢慢打磨一个人，将其磨圆，最终消磨他的灵魂。一块学术的净地，有人抄袭，有人造假。他们迷失了，找不到原本的洁净灵魂，躯体的速度已完全控制了他们。有人因为没有知音而迁就退让，为了得到粉丝而不惜毁掉真实的自己，失去个性与本真。他们走得太远太急、以致忘记了为什么出发。

我们需要用清澈的智慧唤醒灵魂。寂静钱钟书潜心学问，他说：“学问大抵是荒郊中两三人研究之事。”所以他被唤醒的灵魂不让闪光灯靠近，不受诱惑侵蚀。市场最看重的是价格，但这是吴冠中最不看重的东西。他说：“市场只是一块镜子。”常照镜子的人往往忘了真正的“我”在这里，在镜外。而这个清醒的画家把自我唤回到自己的躯体里，不让灵魂流连于诱惑之中。

我们需要有自己的指向标，不断唤醒自己，唤回自己，不让灵魂沉浸于安逸或灯红酒绿之中。唤一声自己的名字，让自己的灵魂站起来，并能找到它的方向。

唤醒自己，让灵魂如流水鲜活，如青山坚定。 唤醒心中的明月

屈原说：“路曼曼其修远兮，吾将上下而求索。”是的，人生的探索，漫长又艰难，错误是免不了的，迷失方向也是会有的，但只要保持自己的那份追求，及时唤醒心中的一轮明月，那么胜利之门便会悄悄的为你打开。 “少无适俗韵，性本爱丘山，误落尘网中，一去三十年„„复得返自然。”这是多么率真朴实的诗句！误入

官场的他仿如被捆住了手脚，无所适从，也懒于应酬，终于有一天，他用纯净的心灵唤醒了自己，决心“不为五斗米折腰”，捍卫自己的本性。为此，他找到了自己“采菊东篱下，悠然见南山”的那一份心情，书写了中国山水田园诗的灿烂篇章。

“君不见黄河之水天上来，奔流到海不复回；君不见高堂明镜悲白发，朝如青丝暮成雪。”看看李白那一泻千里的哀愁，身处朝廷又怎能使他的豪情释放？怎能使他的才华得以施展？“安能摧眉折腰事权贵，使我不得开心颜”，于是乎，他唤醒了自己，不再留恋长安，骑上他的白鹿，遍访天下名山胜水，“一诗一酒”，做逍遥快活的谪仙人。

命运的不幸降落到颇有抱负的史铁生的身上，从此他的心随着他的身体一起残废，他日复一日的残害自己，迷失自己，直到有一天，地坛无声无息给他解开了人生的重重迷团，使他从沉沉的昏睡中苏醒：自己不能再做一个废人，而应做一个有理想、有作为的强者。从此，一个被唤醒的生命燃起生活的热情，写下了一篇篇文章激励着成千上万的人，用他心中的明月照亮了一方的天空。

佛家有云：“放下屠刀，立地成佛。”告戒人们要唤醒自己，放下杀戮，洗去罪孽，向真从善。

近几十年来，每年都有一批日本老兵远渡重洋，来到南京纪念碑，纪念那些在“南京大屠杀”中遇害的人，表达对死难者的愧疚。这些老兵用他们迟迟才唤醒的良知告诉世人大屠杀的事相，反击日本政府掩盖事实的罪行。 “迷途知返，善莫大焉。”日本老兵心中唤醒的明月照亮了他们，也给我们以启示，呼唤着我们知错能改，唤醒迷途中的我们找回自己心中的那一轮明月。

人生道路漫长，在十字路口，在不经意间迷失了自我的人们，用你们的自由、毅力、悔改之心，用你们的行动及时地唤醒自己心中的那一轮明月吧！

唤醒斗志，燃烧激情

如果说，人的生命是一座建筑，那么每个人都是自己命运的设计师。如果说，人生是一出戏，那么每个人都是自己剧本里的主人公。既然命运掌握在我们手中，那么，当我们不可避免地遭遇苦难，请坚强地唤醒自己的斗志和激情，只有这样，才能使自己的生命不断攀上高峰！

是谁弹响了“史家”的千古绝唱，是谁吟出了无韵之《离骚》？是那张充满刚毅之气的脸。曾经身处极端险恶的环境，忍受着世人的嘲讽和内心剧烈的痛苦，他本该是绝望的，对人生绝望，对这个不公的时代绝望。但为了“究天地之际，通古今之变，成一家之言”，他抛开尘世的繁琐，放下个人的荣辱，用坚忍和崇高唤醒了自己，唤醒自己活下去的信心。太史公用他不屈的笔挑战着苦难的极限，唤醒了自己，不再痛苦，不再绝望，以刚毅之心、正直之气书写着历史，书写着中华民族两千年的沧海桑田。他记录了历史，历史也将他永远铭记。

桑德伯格说：“生活就像剥洋葱，你一片片地剥，总有一片会让你泪流满面。”是的，人生不可能永远欢歌笑语，永远阳光灿烂，人生也会遭遇风雨雷电。当你迷失人生方向时，当你对生活失去信心时，请记得唤醒自己，请记得唤回生活的热情和斗志！

那个秋天，纷纷飘落的树叶，代表了儿子对母亲无尽的思念，这是地坛永恒的风景。史铁生的地坛是一个平凡又特别的所在。人们在地坛中感悟到生与死的变迁，感悟到人生深刻的意义。在他生命最辉煌的时刻，上帝跟他开了一个大大的玩笑，苦难叩响了他生命的大门。双腿残疾，对一个有着灿烂梦想的年轻人来说，是多么的残酷。他在生与死之间徘徊，他在消极和颓废中游荡。他没有了方向，他应该是绝望了。然而幸运的是他有一位伟大的母亲。是无言的母爱，让史铁生唤醒了自己消沉的灵魂，重燃起生活的激情。于是，他用平静而深邃的笔书写了生命的峰回路转，他在轮椅上将生命演绎得多姿多彩。

生活本来就如此，不管是悲剧还是喜剧，作为主角的我们都要尽力演出。面对磨难，只要唤醒自己的斗志，残缺的躯体也能成就生命的完美！

从不幸的谷底到艺术的颠峰，也许邰丽华的生命本身就是一次绝美的舞蹈。在灵动中，展现了生命的蓬勃，在手臂间勾勒出人性的高洁。一个朴素的女子为我们呈现了华丽的奇迹，心灵的震撼不需要言语。在这震撼的背后，你可知道她的世界是悄无声息的？漫漫无尽的寂静是命运对她的不公和残酷，生活对她并不仁慈。她也哭过，她也痛过；她也彷徨，她也迷失。她是否该早早结束这并不美好的脆弱生命？不！一段“千手观音”的华美是邰丽华给人生最完美的回答。面对常人无法承受的坎坷和不幸，邰丽华用超越一切的坚强唤醒自己。其实苦难并不可怕，面对人生的风雨，只要能唤醒自己生命的勇气，生活就会还给你最多的鲜花和掌声！

阳光总会驱散阴云和迷雾，信念也会扫去悲观和犹豫。只要唤醒自己对生活的信心，只要你的心里仍然燃烧着追求的热情，相信一定会有光明的大道延伸在你面前。醒来吧，梦中人，请不要继续沉睡了。唤醒自己，重拾斗志，以最激昂的灵魂去迎接最灿烂的朝阳！

篇四:《厚黑学读后感1500字》

?用厚黑以图谋一己之私利，是极卑劣的行为；用厚黑以图谋众人公利，是至高无上之道德?。也就是说厚黑就是一种手段，用这种手段去获得公共利益，而不是自身的利益，这就是一种高尚了。既然如此，我们又何必在乎是什么手段呢，最关键的是人的心。

总觉得自己是空想主义者，无论是什么事，总是在人本身上面找原因，而不是认为是这个事情本身的原因。厚黑学读后感1500字。但是这并不代表我就认为是人心的原因，我是承认事情本身这个因素的，但是人心事最最主要的原因。

读厚黑学，愈是坚定了这种信念。

刚接触到厚黑学时，有点吓到，厚黑学教主李宗吾，(1879一1943)，原名，李世楷，字宗儒。厚黑学读后感1500字。他自幼受旧式教育，遍检诸子百家，读破二十四史，寻求历史的真谛。他最后认为，从历史和现实看，如果不是彻底的厚颜与黑心，就不可能在政治上获得成功。?古之为英雄豪杰者，不过面厚心黑而已?，他自称是发明了?厚黑史观?的?厚黑教主?，以为?用厚黑史官去读二十四史，则成败兴衰，了如指掌；用厚黑史观去考察社会，则如牛诸燃犀，百怪毕现。?我觉得，其观点这未免太武断，社会在发展，也许有一定规律，但是整个历史用厚黑史观来研究，这点我就不敢苟同了。

厚黑原理(心理与力学)中，指出人的心，分知、情、意三者。意是知与情合并而成，其元素只有知、情二者。磁电同性相推，异性相引，有似吾人之情，其能够判别同性异性，更是显然有知，足见磁电这个东西，具有知、情，与人之心理相同，这个观点着实有些震撼到我，我从没有想到过人的心理可以从物理学的角度来解释，这的确给我长了见识，且不说这种观点是否正确，对于其中一些细节我倒是有些许疑惑。

书中指出，性灵由磁电转变而来，通常所说的心，是由于一种力，挤过五官出去，把外面的事物牵引进来，集合造成的。例如有一物在我面前，我注目视之，即是一种力从目透出去，与那个物连接。我将目一闭，能够回忆那物的形状，即是此力把那物拖进来栓住了，由于这种方式，把耳闻目睹，与夫身所经历的事项，一一拖进来，集合为一团，就成为一个心了。造这么说，那外面耳闻目睹的东西越来越多，那心岂不是要越来越大了。

如果说我们对一个人的印象更加深刻，难道是因为对其的力大一点的，那为什么这个力会大一点呢?身边形形色色的人经过，力将他们吸引进来，我们并不能记住这么多的人，很多人看了一眼就忘了，这又是怎么回事?是力消失了吗?力又为何会消失呢?同性相吸，异性相斥，那为何我们生命中的一些同性我们印象更加深刻呢?假如当初对一个人的现象不是很深刻，后来慢慢的深刻了，这难道是力的叠加吗?

好多好多疑问，也正说明这个厚黑原理当中存在着漏洞。

为什么有人会提倡厚黑学，为什么有人会接受厚黑学?是现实中不合理的事太多了。然而是厚黑造成整个社会的风气差吗?不，是人自己。

厚黑本身不是罪，是一种手段，关键还是人的心，人的心是善还是恶，是为公众利益还是私人利益呢。

现今厚黑热，本来被文明的中华民族所不耻的厚黑学竟然如此热，当代大学生恶补厚黑学。

现如今高校毕业生恶补?厚黑学?，将其列为?另类教材?，显然是将?皮厚、心黑?视为是人生?成功?的不二法门了。涉世未深、有?天之骄子?之称的大学生对?厚黑学?如此顶礼膜拜，显然并非?无师自通?。?厚黑?是厚黑者的通行证，正是这种现实的潜移默化，才使他们痛下决心要完成从?学生样?到?社会人?的蜕变。

前段日子，曾有人提出过?让大学生反腐?的高论。说什么大学生有一种青年人的锐气和勇气、大学生没有官场背景更容易铁面无私，因此可以?让大学生做反腐败的急先锋?云云。但是却忽略了这个事实:对于大学生来说，?人间大学?活生生的教育，才是最刻骨铭心的，才是最关键的。曾被焦裕禄的事迹感动得流泪、发誓要像焦裕禄那样带领百姓致富的李真，步入官场后很快将当初的雄心壮志抛于脑后，学会了欺骗、撒谎、虚与委蛇等?厚黑学?技巧，最终滑向腐败深渊。

也许很多人认为这是厚黑的原因，不，厚黑本身不是罪，只是一种手段。如果人能够坚持自己的心，那他只会为公众谋福利。最后变成社会败类的最根本原因还是他不能坚持自己的心。

也许有人会说，官场的黑暗，厚黑的本质，让人不得不放弃自己的心，这是一种无奈，更是一种妥协。

若到达真正的大同社会，每个人都坚持自己的心，又怎么会出现近墨者黑呢，因为每一个人都是纯洁无暇的，即使他学会了厚黑。

厚黑学读后感1500字(二)

李宗吾的厚黑学听说现在市场畅销，近来一口气读了一半有余。从其历史背景笔者对其作了一个整体性把握。我没有做到他所提倡的脸厚心黑，这样的要求众人听来好像愚昧至极、可笑不已，但是其绝对不是简单意义上的词面意思的绽放。

很多人认为厚黑学是邪教综典，对人会有莫大恫化，读来误人子弟，现在看来彼人更多的是只重病情，但无良方，换句话说就是知己不知彼。李先生以厚黑教主自封，在当时的民国时代拥有此般造诣亦是开天辟地的了，正如它所说，要想成功、成名就要骂人，他就是骂人骂出来的，故作名人。它当时看穿事态，明察现实，世乱正殷，出卖灵魂者不一，表面上糊上一层仁义道德，爱国救民，动人听闻，一究其实，心之黑，脸之厚。他愤世嫉俗，有海阔天空的理想，也有?可为知者告，难为借人言?的报复。所以在一般囿于道统，惑于物欲的社会里，他感到寂寥，由寂寥而孤傲，而佯狂骂世，自称?教主?，且自负为大观园门前的狮子。这般看来，他是一个孤愤蕴胸，为世俗所清的怪人物。厚黑学渊源于性恶说，与王阳明的?致良知?渊源于性善说其价格相等。正如他说，有孟子的性善说就有荀子的性恶说与之对抗，有王阳明的?致良知?三字，可厚黑学三字即可与之对抗。他自读书识字以来，就想有所建树，求之四书五经，茫无所得，求之诸子百家，与夫廿四史，仍无所得，以为古之大作为者，必有不传之秘，自认生性愚鲁，难于寻求。

上天给我们一张脸，而厚即在其中，给我们一颗心，而黑即在其中。举凡世中表面现象，广布数寸，大不盈掬，好像了无奇异，但若精密考察，就知他的厚是无限的，它的黑是无比的，世间世事无疑不从这区区之地出来，造物生人的奇妙，真是不可思议。厚黑学共分为三部功夫，第一步是?厚如城墙、黑如煤炭?。起初的脸皮，好像一张纸，由分而寸，由尺而丈，就厚如城墙了。最初心脏的颜色，作乳白状，由乳白而炭黑，进而黑如煤炭。此等境界只是初步功夫。第二步是?厚而硬，黑而亮?。深于后学的人，任你如何攻打，一点不动。深于黑学的人，如退光涂招牌，越是黑买主越多。固然第二步与第一步有天壤之别，但仍透露了迹象，有形有色，我们一眼就能看穿。第三步是?厚而无形，黑而无色?。至厚至黑，天上后世，皆以为不厚不黑，这个境界，很不容易，只好在古之大圣大贤中去寻求。()中人对此学问的精深质疑绯思，他却讲到:儒家的中庸，要讲到?无声无臭?方能终止，学佛的人要到?菩提无树，明镜非台，芳见正果?，何况厚黑学是千古不传之秘，当然既要做到无形无色的境界了。

不曰厚乎，磨而不薄，不曰黑乎，越洗越黑。举例来说，手足的茧疤，越磨越厚，沾了泥土尘埃的煤炭越洗越黑。这样的事情都是不学而能，不虑而知的。说了这么多，我感觉对待任何事情，要有自己的观点与想法，不能照本宣科一味的随波逐流，我们需要的在人生中制定一个输于自己的框架，框架是艺术的结晶，框架能够突破问题，简化现实羁绊。我反感乞讨的行径，为什么要苦求于别人的承认，应该成为一个独立的人，一个充满完整个性的人，用自己的脚走自己的路，喝自己的甘泉，这样灵魂才能回家，精神方能回家，才能真正扎根人生之中。

传统的文化造诣已经做了许多有用的工作，但是其本身却存在先天不足，世界是一个辩证法，有其利必有其弊。正如教育在带给我们好处的同时，它也给我们带来了无数的精神垃圾，给我们下一轮的发展种下了严重的疾病种子。当然教育不能被审判。一被审判，那些身在其中的大师们便成了一种讽刺，一种失落。李宗吾先生的观点自由其一定的合理性，当然不能排除其观点独特与世人对他独道的不解。